- #IMPORTANCE OF A STEREO MASTER FADER HOW TO#
- #IMPORTANCE OF A STEREO MASTER FADER PRO#
- #IMPORTANCE OF A STEREO MASTER FADER SERIES#
Today’s post was designed to share a quick step-by-step guide to creating stereoized sound effect tracks. Tip: Planning on stereoizing a few mono files? Set up the session and save it as a session template.Ī special thanks to Shaun Farley for his generous assistance ironing out the details of this post. If so, adjust your levels to compensate.Īnd that’s it! If you’ve followed the steps with care, you’ll have created an acoustically sound stereo file from a single mono file. Watch the stereo monitoring tool on your master fader to keep an eye out for phase problems.(Click the image below for a large version of the screenshot.)
#IMPORTANCE OF A STEREO MASTER FADER HOW TO#
How to Stereoize Mono Files Prep the SessionĪdd two mono tracks.
#IMPORTANCE OF A STEREO MASTER FADER PRO#
I use examples and screenshots from Avid’s Pro Tools, however it can be adapted to any other audio editing app with a bit of effort. It’s a goldmine of info that cements the trick in sound theory. Next week expands upon the topic of stereoizing sound files with a special treat: Shaun Farley will explain how he discovered the trick, why he uses it, its benefits and risks, and more. It lays out step-by-step instructions to get the job done quickly. It describes how to set up your session and capture acoustically sound stereoized audio files. So, today’s article explains the nuts and bolts of the trick. Shaun kindly helped me share his stereozing trick in today’s post. He also shares his field recording bundles in his sound shop. In addition to performing editing duties, Farley is a contributing editor at popular pro audio news site Designing Sound, as well as an active member of the sound design and field recording communities.
![importance of a stereo master fader importance of a stereo master fader](https://www.masteryoursong.com/wp-content/uploads/2013/05/Summit-DCL-200-Dual-CompressorLimiterLg.jpg)
This article shares step-by-step instructions for stereoizing mono files, with the kind assistance of a special guest contributor.
#IMPORTANCE OF A STEREO MASTER FADER SERIES#
Today’s post is the first in a two-part series that explains how to use this trick. It recreates the physics behind the way our ears hear sound.
![importance of a stereo master fader importance of a stereo master fader](https://holidayhigh-power.weebly.com/uploads/1/2/6/0/126025379/854402270.jpg)
I wasn’t satisfied with any of them.Ī few years ago I stumbled across a post that explained a bulletproof, acoustically sound method of stereoizing a mono file. I used mastering hacks to get this done: shifting a duplicate track a few frames, or dropping half of a mono clip underneath on a second track. Is it possible for stereoized mono files to sound good? And what about audio quality? Often stereoized files sound flat and lifeless. Why? Well, there’s the ever-present risk of accidentally corrupting your new stereo file with phase problems. However, this task of “ stereoizing” mono files isn’t simple. If any of these situations sound familiar, you’ve likely thought about transforming your mono sounds into a stereo file. Have you ever returned to your edit suite to realize one channel of your stereo field recordings is distorted beyond hope? Has a client demanded a stereo delivery spec, regardless of the source sound effects in your sound library? Do you have a cool mono drone you’d like thicken up?